blog https://www.kcsn.org/blog/rss SXSW 2016 In Review https://www.kcsn.org/blog/jeff-penfield/sxsw-2016-in-review/ <div align="center"><img class="left" style="margin: 10px;" title="" src="https://www.kcsn.org/assets/Uploads/_resampled/resizedimage600300-SunflowerSXSW2.JPG" alt="SunflowerSXSW2" width="600" height="300"></div> <p>KCSN was proud to host its official SXSW Radio Day Stage on Thursday, March 17th, but of course we went to a TON of shows featuring the best new acts around. Here are a few of my superlatives from the conference:</p> <p><strong>Most Surprising Artist We Heard Of Before: Fantastic Negrito</strong><br>He was the first act of our Radio Day Stage so how could we be surprised? Sometimes what you hear on a recording is very different than what you see live. Fantastic Negrito not only rocked the stage, he has a great rapport with the audience.</p> <p><strong>Most Surprising Artist We Haven’t Heard Before: Seratones</strong><br>Imagine a band that plays grunge with a Southern twist and soulful vocals. That’s Seratones in a nutshell.</p> <div align="center"><iframe src="https://www.youtube.com/embed/s71asqGhVb4?rel=0" width="560" height="315" frameborder="0"></iframe></div> <p> </p> <p><strong>Most Pleased To Welcome Back: The Avett Brothers</strong><br>Republic Records’ Thursday Showcase featured the North Carolina band playing old favorites along with some brand new tunes. I can’t wait to share the new music!!</p> <p><strong>Most Rock &amp; Roll Moment: The Struts</strong><br>A lot of fuss has been made the last few years over the corporatization of SXSW and that certainly was the case at the Bud Light Lounge for The Struts. As flashy as the room was with a “Swag Wall” and a DJ between sets, The Struts came on stage as classic rock and roll badasses. The room they occupied didn’t matter - they were going to rock and you were going to listen.</p> <div align="center"><iframe src="https://www.youtube.com/embed/r61Xj0pHawE?rel=0" width="560" height="315" frameborder="0"></iframe></div> <p> </p> <p><strong>Personal Pick: Bombino</strong><br>I have a soft spot for West African/Saharan Blues. Ever since Robert Plant performed with Tuareg band Tinariwen and recorded the heavily influenced Mighty Rearranger, I’ve been hooked. Nigerian band Bombino is similar and their cyclical beats with great jamming guitars were such a joy to see in person.</p> <p><strong>Best Band Runner Up: Lucius</strong><br>Performing songs off their brand new album Good Grief, the lovely ladies of Lucius were jaw dropping. Forget the fact that they have an uncanny ability to sing in unison, they brought the new songs to life on stage.</p> <p><strong>Best Band: Sunflower Bean</strong><br>Sure, this could be a bit of bias considering they performed our Radio Day Stage, however their uncontainable sound was undeniable. For a three piece, they certainly do get quite a bit of sound out of their instruments. I couldn’t resist seeing their mesmerizing performance a second time at midnight on Friday night. That was before a 7 a.m. flight mind you.</p> <div align="center"><iframe src="https://www.youtube.com/embed/xykuu_pVZak?rel=0" width="560" height="315" frameborder="0"></iframe></div> Tue, 22 Mar 2016 10:45:07 -0700 https://www.kcsn.org/blog/jeff-penfield/sxsw-2016-in-review/ Download "Overnight" From The Wild Feathers https://www.kcsn.org/blog/jeff-penfield/download-a-free-song-from-the-wild-feathers/ <p>In case you haven't heard, <strong>The Wild Feathers</strong> new album <em><strong>Lonely Is A Lifetime</strong></em> comes out this Friday. The Nashville band's first album was a rousing success and the upcoming release sounds amazing so far. Download the first single <strong>"Overnight"</strong> for FREE below. Don't forget, <a href="http://ticketf.ly/1UZlO9Q" target="_blank">KCSN Presents The Wild Feathers at The Troubadour on April 6th</a>!</p> <div align="center"><iframe src="http://overnight.thewildfeathers.com" width="380" height="373" frameborder="0"></iframe></div> <div align="center"><iframe src="https://www.youtube.com/embed/uxaQVZkjXx8?rel=0" width="560" height="315" frameborder="0"></iframe></div> Tue, 08 Mar 2016 08:34:15 -0800 https://www.kcsn.org/blog/jeff-penfield/download-a-free-song-from-the-wild-feathers/ Lake Street Dive Album Preview https://www.kcsn.org/blog/jeff-penfield/lake-street-dive-album-preview/ <h3>Listen to Lake Street Dive's new album Side Pony below! KCSN Presents Lake Street Dive at the Wiltern on February 26th. <a href="http://livemu.sc/1YhjL3c" target="_blank">Click here for tickets</a>.</h3> <div align="center"><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/194325029%3Fsecret_token%3Ds-Nicrl&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false" width="100%" height="450" frameborder="no" scrolling="no"></iframe></div> Thu, 11 Feb 2016 11:31:19 -0800 https://www.kcsn.org/blog/jeff-penfield/lake-street-dive-album-preview/ Should You Film At Concerts? https://www.kcsn.org/blog/jeff-penfield/should-you-film-at-concerts/ <div align="center"><img class="center" title="" src="https://www.kcsn.org/assets/Uploads/_resampled/resizedimage400400-EvolutionLiveAudience.jpg" alt="EvolutionLiveAudience" width="400" height="400"></div> <p>Everyone who went to Jack White's concert at the Mayan in 2014 was greeted by the poster above. Using some of the hand signs from concertgoers in each decade, it highlights an emerging issue for artists and fans at modern concerts: the rise of the smartphone camera.</p> <p>The concert experience is one of the most unique in our culture: a small group of people, and in some cases one person, connects on a personal level to an audience of hundreds if not thousdands through music. There are other examples of similar experiences, like theatre or public speaking, however the abstract nature of music makes the concert far more personal. The artist feels the energy from the audience while each attendee may react to the performance differently from the next. I vividly remember Sam Beam of Iron &amp; Wine silencing the entire Hollywood Bowl by himself, Danny Elfman performing "Dead Man's Party" for the first time in 20 years, and my first Robert Plant concert. These memories unique to the concert setting.</p> <p>In modern times, we like to share our everyday lives through social media. With the power of a camera in our pockets, we can capture anything at any time. I can't tell you how many random pictures and videos of my dog I could share. On top of that, we have moved beyond the simple photo to a host of different ways to capture video as well.</p> <p>So what does this mean for the concert experience? We used to focus our attention solely on the band, but now concerts are filled with little screens floating in the air as people film away. Instead of focusing on becoming one with the music we want to capture the show, with bad picture and poor audio I might add, to share with our friends. Is this really what going to a show is about? Shouldn't we be focusing on connecting with the artist and not our phones?</p> <p>Personally, I keep a simple rule: take pictures during the first song and then put the phone in my pocket. I can share my experience through a simple photo. When it comes to video, I avoid it altogether. The sound won't come out correctly and it's nowhere near the same experience. Most of the videos on my phone will never see the light of day again anyway.</p> <p>Some musicians have taken arms against filming concerts. Jack White not only has the poster above, a member of his crew comes onstage to requst people find pictures to share on Jack's website. Father John Misty uses a neon "No Photography" sign hanging behind him on his latest tour, however you never know if he's just joking or actually serious.</p> <p>So what do you think? Do you film concerts with your smartphone?</p> <div align="center"><img class="center" title="" src="https://www.kcsn.org/assets/Uploads/_resampled/resizedimage600450-ColdplayPhones.jpeg" alt="ColdplayPhones" width="600" height="450"></div> Thu, 14 Jan 2016 12:00:00 -0800 https://www.kcsn.org/blog/jeff-penfield/should-you-film-at-concerts/ A Visit to Hitsville USA - Motown Museum in Detroit https://www.kcsn.org/blog/mark-shovel/a-visit-to-hitsville-usa-motown-museum-in-detroit/ <table style="margin-left: auto; margin-right: auto;" border="1" cellpadding="0" cellspacing="0"><tbody><tr><td valign="top" width="396"> <p> </p> <img style="display: block; margin-left: auto; margin-right: auto;" src="http://www.mrshovel.com/wp-content/uploads/2014/11/photo2-768x1024.jpg?r" data-url="http://www.mrshovel.com/wp-content/uploads/2014/11/photo2-768x1024.jpg" data-width="400" data-height="533" data-class="left" data-thumbnail="http://www.mrshovel.com/wp-content/uploads/2014/11/photo2-768x1024.jpg?r" data-cssclass="left" height="519" width="390"></td> </tr><tr><td valign="top" width="396"> <p> </p> <p>Hoping you had a decent Thanksgiving. I was very fortunate to make a rare late November trip back to the Motor City to spend the holiday with my family. During my brief visit I made a stop at Hitsville USA, the original headquarters of Motown records on West Grand Blvd in Detroit. The building was a house that Berry Gordy Jr. converted into a recording studio and office facility. There is also an upper floor apartment that Gordy lived in, which looks like it could be the creation of a set designer from Mad Men – But it’s the real deal, even the orange sofa that Marvin Gaye used to crash on.</p> </td> </tr><tr><td valign="top" width="396"> <p> </p> <img class="alignright size-full wp-image-3301" style="display: block; margin-left: auto; margin-right: auto;" src="http://www.mrshovel.com/wp-content/uploads/2014/11/MotownReception.jpg" alt="MotownReception" height="276" width="388"></td> </tr><tr><td valign="top" width="396"> <p> </p> <p>The building is now operated as a museum and it is literally a time capsule into the 1960’s. Everything has been left exactly as it was, from the rolodexes which sit on the lobby desk next to the three black phones that Mary Wells and Diana Ross once answered as receptionists, down to the candy machine, still stocked with the Baby Ruth bars in slot number 4 for the 11 year old Little Stevie Wonder.</p> </td> </tr><tr><td valign="top" width="396"> <p> </p> <img style="display: block; margin-left: auto; margin-right: auto;" src="http://www.mrshovel.com/wp-content/uploads/2014/11/MotownControlRoom.jpg" alt="MotownControlRoom" height="265" width="391"></td> </tr><tr><td valign="top" width="396"> <p> </p> <p>The Studio A control room still houses the board and tape machines that all of the great Motown music we know and love once passed through. The floor under the console where the producers and engineers sat has holes where the tile and wood beneath have been worn through from the stomping of feet and tapping of toes.</p> </td> </tr><tr><td valign="top" width="396"> <p> </p> <img class="alignright wp-image-3326 size-medium" style="display: block; margin-left: auto; margin-right: auto;" src="http://www.mrshovel.com/wp-content/uploads/2014/11/Stevie-Wonder-in-session-with-the-Funk-Brothers-inside-Motowns-Snakepit-in-1967-300x235.jpg" alt="Stevie-Wonder-in-session-with-the-Funk-Brothers-inside-Motowns-Snakepit-in-1967" height="303" width="387"></td> </tr><tr><td valign="top" width="396"> <p> </p> <p>Stepping down into the main studio room, I was overcome with a deep reverence for the enormous spirits who had created such timeless, universal magic in that small space.</p> <p>Everything was exactly as it was, including the mic cables hanging down from the ceiling, the headphones the artists had worn, and the hook where they had hung their coat in the winter.</p> </td> </tr><tr><td valign="top" width="396"> <p> </p> <img class="alignleft size-thumbnail wp-image-3325" style="display: block; margin-left: auto; margin-right: auto;" src="http://www.mrshovel.com/wp-content/uploads/2014/11/bilde-150x150.jpg" alt="bilde" height="208" width="208"></td> </tr><tr><td valign="top" width="396"> <p> </p> <p>The 1877 Steinway concert grand piano had recently been restored thanks to a generous donation from Paul McCartney after he had visited the studio and taken the same tour.</p> <p>Brian Ray, long time guitarist for McCartney saw this picture I had posted on Facebook and he offered this tid-bit about the restoration,</p> <p>“…nice touch, huh? I was standing next to Paul when he asked if he could play the piano and they said, “no it needs restoration and is unplayable” w plexiglass over the keys. Paul got a gleam in his eye and later asked what we thought of gifting them with true restoration in NYC.. I hope it is played and enjoyed. B”</p> <p>I am so extremely grateful for having the opportunity to visit this mecca of American music. These rooms, small, basic and simple would be nothing without the creative expression of the songwriters, musicians, producers and performers who poured themselves into the records that will stand forever as a testament to their greatness.</p> <p>If you're ever in the Motor City, do yourself a favor and visit this hallowed ground.</p> <p> -Mr. Shovel</p> </td> </tr></tbody></table><p style="text-align: center;"> </p> <p style="text-align: center;"> </p> <p style="text-align: center;"><br> </p> <p style="text-align: center;"> </p> <p> </p> <p> </p> <p> </p> Mon, 01 Dec 2014 11:00:20 -0800 https://www.kcsn.org/blog/mark-shovel/a-visit-to-hitsville-usa-motown-museum-in-detroit/ My Dream Concert for 2014 https://www.kcsn.org/blog/robert-hilburn/my-dream-concert-for-2014/ <p>One frequent question during my 35 years as pop critic at the Los Angeles Times was, "What's your favorite concert ever?"</p> <p>And I always had a hard time answering it because I saw an average of 100 concerts a year during that time, and there were so many magical moments each year.</p> <p>The shows that usually came to mind landmark performances by such varied figures as Johnny Cash, Elvis Presley, Janis Joplin, James Brown, the Rolling Stones, David Bowie, Bruce Springsteen, Prince, U2 and the White Stripes.</p> <p>Yet I was never able to boil it down to a single favorite show.</p> <p>It’s much easier answering this question: “What concert are you most looking forward to seeing this year?"</p> <p>My choice, by far, is the Oct. 5 pairing at the Greek Theater of two of my favorite singer-songwriters ever: John Prine and Conor Oberst.</p> <hr><p>John’s self-titled debut album was a classic the moment it hit the shelves in the early 1970s—songs filled with convincing portraits of people caught in various stages of joy, acceptance and despair. I was so hooked that I went around for months quoting the lyrics—lines like these from “Sam Stone,” a song about a child’s horror at seeing his father return home from Vietnam combat with a heroin habit:</p> <p style="padding-left: 30px;"><em>There’s a hole in daddy’s arm, where all the money goes.</em></p> <p style="padding-left: 30px;"><em>Jesus Christ died for nothin, I suppose.</em></p> <p style="padding-left: 30px;"><em>In a sweeping change of pace, John, 24, wrote with equal empathy about the way old people are often shunned aside in a youth-obsessed culture. In “Hello in There,” he wrote:</em></p> <p style="padding-left: 30px;"><em>You know that old trees just grow stronger,</em></p> <p style="padding-left: 30px;"><em>And old rivers grow wilder every day.</em></p> <p style="padding-left: 30px;"><em>But old people just grow lonesome,</em></p> <p style="padding-left: 30px;"><em>Waiting for someone to say, “Hello in there, hello."</em></p> <div align="center"><iframe src="http://www.youtube.com/embed/Sl9ZkYViEIs?rel=0" width="420" height="315" frameborder="0"></iframe> </div> <p>More than 30 years later, Conor’s “I’m Wide Awake, It’s Morning” album—which he released under the group name Bright Eyes--hit with similar force. Conor, who had been making records in his native Omaha since his teens, was also 24 and his best songs conveyed an innocence and intelligence that enabled him to see the world with fresh and fearless eyes. He weaved his findings into intimate songs whose melodies are as timeless as a hymnal and whose images are hauntingly poetic.</p> <p>In “Lua,” one of my favorites Conor spoke about a night in New York with a girl who was moving close to the edge—a gripping reflection on the sometimes recklessness of youth:</p> <p style="padding-left: 30px;"><em>I got a flask inside my pocket</em></p> <p style="padding-left: 30px;"><em>We can share it on the train</em></p> <p style="padding-left: 30px;"><em>And if you promise to stay conscious</em></p> <p style="padding-left: 30px;"><em>I will try and do the same.</em></p> <p style="padding-left: 30px;"><em>We might die from medication</em></p> <p style="padding-left: 30px;"><em>But we sure kill all the pain.</em></p> <p style="padding-left: 30px;"><em>What was normal in the evening</em></p> <p style="padding-left: 30px;"><em>By the morning seems insane.</em></p> <div align="center"><iframe src="http://www.youtube.com/embed/5aZh261KZWI?rel=0" width="420" height="315" frameborder="0"></iframe> </div> <p>Conor’s latest album, “Upside Down Mountain,” released this spring under his own name, is his finest collection since “I’m Wide Awake,” which makes his Greek appearance doubly appealing.</p> <hr><p>Being a fan of both artists, I was delighted during Conor’s show in 2007 the El Rey Theatre when he sang a song that was blessed with so many of the same warm, human touches that made his work so compelling that most people in the theater figured it was one of his new songs. It was in fact “Crazy as a Loon,” a Prine song, about a man who keeps blaming the rest of the world for his problems. It was thrilling to have these two generations of songwriters joined however briefly.</p> <p>By sharing the bill for the first time ever in Los Angeles, the link between Prine and Oberst will be more notable at the Greek, and the results should be more thrilling.</p> <hr><p>Tickets on sale now at <a href="http://www.greektheatrela.com/events/event_details.asp?id=2863">Greek Theatre's website</a>.</p> Mon, 01 Sep 2014 11:20:38 -0700 https://www.kcsn.org/blog/robert-hilburn/my-dream-concert-for-2014/ CALIFORNIA CONVERGENCE https://www.kcsn.org/blog/sky-daniels/california-convergence/ <div align="center"><img class="center" title="" src="https://www.kcsn.org/assets/Uploads/The-FabForum.jpg" alt="The FabForum" width="300" height="182"></div> <p class="p1">It may seem fitting, or perhaps, ironic, that Beck has released “Blue Moon”, the first track from his self-proclaimed  new album of "California music…the songs are coming out of a California tradition. I'm hearing the Byrds, Crosby Stills and Nash, Gram Parsons, Neil Young – the bigger idea of what that sound is to me." During the heralded launch of the renovated Forum with a six night stand by The Eagles. </p> <p>Beck has held province as cutting-edge stalwart since his first release. As he examines the history of ‘California rock’ in his forthcoming record “Morning Phase”, The Eagles are documenting it in their concerts at The Forum. </p> <p>Industry pundit, Bob Lefsetz, in one of his more sincere proclamations, reveled, “Take the 405 to Manchester. Or La Cienega from downtown. Southward as you go. Because five more times this month the biggest band in Southern California history, in American history, is demonstrating what it was once like. When we were addicted to the radio, when going to the record store was a pilgrimage as important as a trip to Mecca or Jerusalem. When we couldn't wait to get home and break the shrinkwrap and hear what our favorites had to say.” </p> <p>When it was announced that The Forum would re-open, it was destiny that The Eagles would be the choice to revive this great Los Angeles institution. Irving Azoff, their manager and long-time Svengali, has a considerable financial interest in the building.  But, after witnessing one of their opening nights concerts, only a cynic would focus on finance, rather than the romance of the event. </p> <p>Everything you may have heard about the renovated facility seemed accurate to me. The sound was impeccable, the gigantic 4K screens were dynamic, the seats plush, and, yeah, the beers still cost a car payment.  The Forum’s walls are covered with celebratory photos of all the legendary acts that played the hallowed hall. </p> <p>The Eagles understood that history, and how it is entwined with their own, in their performance. Starting out with just Glenn Frey and Don Henley sitting on amps, they reminisced about their own ‘long road to Eden’.  Subsequently, each member of the band gradually made their way to the stage. At times, augmented by long-standing sidemen, they delivered stunning eight-part harmonies on a list of their most memorable compositions.  The Forum’s new sound system was integral to hearing those amazing vocals. </p> <p>The Eagles, like Beck,  paid homage to their own heroes, citing Linda Ronstadt, The Flying Burrito Brothers, Beach Boys, Jackson Browne, and, yes, The Byrds, as they took us all back to a time when  ‘the California sound’ was being birthed.   My own memories of those days seemed to have been perfectly stored, not only in my mind, but in that “Fabulous’ hall…</p> Mon, 20 Jan 2014 15:40:46 -0800 https://www.kcsn.org/blog/sky-daniels/california-convergence/ "Christmas in LA" with Owen Wilson & Harry Dean Stanton & The Killers https://www.kcsn.org/blog/mark-shovel/christmasinla/ <p>For those of us who know the joy of experiencing Christmas in Los Angeles, this video will hit home.</p> <p>This collaboration between The Killers and Dawes is an instant LA Holiday classic!</p> <p>To top it off, this video stars Harry Dean Stanton and Owen Wilson, epitomising the holidays in Hollywood.</p> <p>Enjoy this worthwhile LA Christmas gem.</p> <p> </p> <p>Happy Holidays!</p> <p>Shovel</p> <p> </p> <p><object bgcolor="#000000" data="http://videoplayer.vevo.com/embed/Embedded?videoId=USUV71302719&amp;playlist=false&amp;autoplay=0&amp;playerId=null&amp;playerType=embedded&amp;env=0&amp;cultureName=en_us&amp;cultureIsRTL=False" type="application/x-shockwave-flash" width="575" height="324"><param name="wmode" value="transparent"><param name="allowFullScreen" value="true"><param name="allowScriptAccess" value="always"><param name="src" value="http://videoplayer.vevo.com/embed/Embedded?videoId=USUV71302719&amp;playlist=false&amp;autoplay=0&amp;playerId=null&amp;playerType=embedded&amp;env=0&amp;cultureName=en_us&amp;cultureIsRTL=False"><param name="allowfullscreen" value="true"><param name="allowscriptaccess" value="always"></object></p> Fri, 13 Dec 2013 12:46:31 -0800 https://www.kcsn.org/blog/mark-shovel/christmasinla/ Nightmare AIr, The Foreign Resort, Light FM https://www.kcsn.org/blog/mark-shovel/nightmare-air-the-foreign-resort-light-fm/ <p style="text-align: justify;">KCSN is happy to be presenting this line-up on Nov. 20 at Loaded in Hollywood. On the bill are two of our local faves and a great band from Denmark.</p> <p style="text-align: justify;"> If you listen to City of Night (Sat. 7-10pm)  you probably have heard Nightmare Air (featuring Dave Dupuis of Film School), who were one of our headliners at Tarfest this past September. Their latest album "High in the Lasers" is one of my favorites of the year.</p> <div align="center">[embed width=480 height=270 class=left thumbnail=http://i1.ytimg.com/vi/HKwpsb1kH8A/hqdefault.jpg?r]http://www.youtube.com/watch?v=HKwpsb1kH8A[/embed]</div> <p style="text-align: justify;">Also on the bill is long time Shovel faves Light FM, who've just released their new album "Voices in My Head".  Below is a fun video we made together a couple of years ago for their song "Mercy". </p> <p><iframe style="display: block; margin-left: auto; margin-right: auto;" src="https://player.vimeo.com/video/26972941?byline=0&amp;portrait=0" frameborder="0" height="339" width="460"></iframe></p> <p style="text-align: justify;">Nightmare Air is putting on this show in order to play with their past European tourmates The Foreign Resort, from Denmark. Enjoy the video below and then join us at the show November 20th. Det bliver rasende hyggeligt!!!</p> <div align="center">[embed width=459 height=344 class=left thumbnail=http://i1.ytimg.com/vi/p01g13IasAQ/hqdefault.jpg?r]http://www.youtube.com/watch?v=p01g13IasAQ[/embed]</div> <p> </p> <div align="center"><img style="display: block; margin-left: auto; margin-right: auto;" title="" src="https://www.kcsn.org/assets/Uploads/_resampled/resizedimage458706-1146654-10152011304824769-641095200-n.jpg" alt="1146654 10152011304824769 641095200 n" height="706" width="458"></div> <p> </p> <p> </p> Fri, 15 Nov 2013 12:49:44 -0800 https://www.kcsn.org/blog/mark-shovel/nightmare-air-the-foreign-resort-light-fm/ Lots of In-studio performances happening https://www.kcsn.org/blog/mark-shovel/lots-of-in-studio-performances-happening/ <table style="width: 392px; height: 66px;" border="0"><tbody><tr><td>Taking a look at our calandar this week, we have a bunch of really great in-studio performances scheduled so I want to make sure we give you a heads up so you can tune in and hear them live. Here's a quick rundown:</td> </tr></tbody></table><p> </p> <table style="float: left; width: 345px; height: 98px;" align="center" border="0"><tbody><tr><td><img class="left" style="float: left;" title="" src="https://www.kcsn.org/assets/Uploads/_resampled/resizedimage383282-37278a.jpg" alt="37278a" height="282" width="383"></td> </tr><tr><td>Tomorrow (Tuesday 10/8) <strong>Tom Odell</strong> joins Nic Harcourt in the 10am hour. I had a chance to see Tom play at our radio convention in Boulder in August. Wow, what a great performance. Looking forward to that one.</td> </tr></tbody></table><p> </p> <table style="width: 463px; height: 288px;" align="right" border="0"><tbody><tr><td><img class="left" title="" src="https://www.kcsn.org/assets/Uploads/_resampled/resizedimage455258-03.jpg" alt="03" height="258" width="455"></td> </tr><tr><td>In the afternoon tomorrow, <strong>Lissie</strong> will be chatting and performing live with Sky Daniels in the 3:00pm hour. Lissie was one of our headliners for the 88.5 KCSN SXSW Official Radio Day Stage Showcae this past March. She'll be here to play songs from her new album "Back To Forever".</td> </tr></tbody></table><p> </p> <p> </p> <p> </p> <p> </p> <table style="width: 138px; height: 83px;" align="left" border="0"><tbody><tr><td><img class="left" title="" src="https://www.kcsn.org/assets/Uploads/_resampled/resizedimage384288-Gogol-Bordello-at-the-Aggie-Theatre-Fort-Collins-Colorado-1.jpg" alt="Gogol Bordello at the Aggie Theatre Fort Collins Colorado 1" height="288" width="384"></td> </tr><tr><td>We're very excited that Wednesday morning 10/9, Nic Harcourt will play host to <strong>Gogol Bordello</strong> in studio in the 10am hour. It's always a fun time with Eugene and the gang, with great music and entertaining anectdotes.</td> </tr></tbody></table><p> </p> <p> </p> <p> </p> <table style="width: 485px; height: 56px;" align="center" border="0"><tbody><tr><td>Wednesday afternoon <strong>Vance Joy</strong> will vist Sky Daniels for an in-studio performance, and Thursday Sky will be joined by <strong>Unlikely Candidates</strong>.</td> </tr></tbody></table><table style="float: right; width: 392px; height: 38px;" border="0"><tbody><tr><td style="text-align: left;"><img class="left" title="" src="https://www.kcsn.org/assets/Uploads/Alex+Ebert+Qwsk2CNMN5Bm2.jpg" alt="Alex+Ebert+Qwsk2CNMN5Bm2" height="329" width="494"></td> </tr><tr><td style="text-align: left;">Next week we have <strong>The Head &amp; The Heart</strong>, and <strong>Alex Ebert</strong> from <strong>Edward Sharpe</strong> will stop by</td> </tr></tbody></table><p style="text-align: left;"> </p> <p> </p> <p> </p> <table style="width: 454px; height: 36px;" border="0"><tbody><tr><td> </td> </tr><tr><td><br><p>d!</p> </td> </tr></tbody></table><p> </p> <p> </p> <p> </p> Mon, 07 Oct 2013 14:35:53 -0700 https://www.kcsn.org/blog/mark-shovel/lots-of-in-studio-performances-happening/